Since enrolling in R&B’s freshman class of 2006 with his debut album, In My Own Words, and avoiding the sophomore jinx with 2007′s Because of You, singer-songwriter Ne-Yo is poised to earn the rank of upperclassman with his third effort, Year of the Gentleman. In this era of auto-tune anthems, where strip-club cuts compete to be the most downloaded ringtone, Ne-Yo’s smooth tenor rings authentic, and this album will inspire listeners to strive for chivalry over ass-shaking.

The first two singles-a throbbing dance track “Closer” and an ode to boss ladies “Miss Independent,” featuring syrupy synths and staggered drip-drums (both produced by Stargate and co-produced by Ne-Yo)-foreshadow the album’s variety. Although most of the record’s selections are danceable, the artist experiments subtly with tone and tempo. On the seductive “Single,” produced by Polow Da Don (who also sings on the track) drum patterns resemble a racing heartbeat. Switching gears from the tradition of formulaic R&B topics, the Shea Taylor-produced “Lie To Me” displays Ne-Yo’s vulnerability over symphonic strings and keys. The singer chooses to accept dishonesty from an unfaithful girlfriend, rather than confront the truth.

Ne-Yo’s signature conversational writing style is consistent throughout the record, but he drags his dancing feet through some uninspired filler. “Back to What You Know” sounds like that one generic acoustic-guitar song that it seems to work its way onto every R&B album, and the corny, pseudo-inspirational closer, “Stop This World,” overreaches with its grand drama. Year of the Gentleman won’t be heralded for breaking any new ground, but it’s a good effort. Had Ne-Yo done some more polishing, however, he could have dropped a classic. — DEVIN “PAN” BARRETT